
Musicians gather at All Saints’ Church in Petersham, West London, for three days of sessions to record overtures by Thomas Arne. Under the direction of Christopher Hogwood, their approach was radical – they performed on period instruments using, as far as possible, the techniques that were current at the time of composition.
£50 could pay for an ‘urtext’ original Bärenreiter organ part for a Bach Passion
£500 could fund the creation of a score and parts for a Keyboard Concerto by Marianna Martinez
£5,000 could fund approximately five minutes of film featuring 30 musicians
£50,000 could fund a large-scale performance in the Barbican Hall
